Subject: NET
Players: Rahul Ramakrishna, Avika Gor and others
Facilitator: Bhargav Macharla
Rating: 2/5
The ‘NET’ trailer, a ZEE5 Original video, also claimed to have had all the technical capabilities of a genius with a core imagination. Laxman (Rahul Ramakrishna) was known to be a troublemaker and a pervert, while Avika Gor’s Priya is an ignorant woman who is unaware that her intimate affairs have been monitored through the voyeurs website. Writer Bhargav Macharla, in telling a 90-minute story, forgets to make the viewer sad even though he has risen a little to abuse his wife and the innocent wife is being abused by the insane man.
Laxman owns a walking shop in the small town of Nalgonda. A middle-aged man, the similarity with his wife Suchitra (Praneeta Patnaik’s ‘Care Of Kancharapalem’ fame) becomes more difficult. Similarly, the track of Priya and her boyfriend Ranjith (Vishwa Dev) is mentioned. Although Priya does not speak to her father, Ranjith has her own secret. How the two approaches change when Laxman finishes making several mistakes to undo his sins of voyeurism is a major problem.
There are a number of errors that the script makes but none are more obvious than the Laxman format. Moral settlement works well, but the arc form cries out for both coherence and reliability. If Suchitra does not mean anything to him, someone else, too, should not. Well, most of us are unaware of the wounds we inflict on our brothers when we feel sorry for a stranger. But the behavior must have been forced.
The love affair between Priya and Ranjith must have been fascinating, considering what happens as the story unfolds. Their romance seems natural on paper but when it comes to murder, the conversation seems to have taken place. In the final stages, the background music overrides the conversation and the distractions disappear.
As for Naresh Kumaran’s BGM, it commits itself to a director’s vision, which unfortunately slows down the growth of the issue. While the experiment seems to help you have fun, the music ends up feeling like accepting Laxman’s experimental techniques. Rather than exacerbating problems, they focus on playing more on the screen.
Rahul Ramakrishna, who is also a good actor, somehow fails to show interest in his character when he attacks a girl’s secret. Although the enrollment was not permanent, he was seen as a traveler who drove day shops during the day and drove his abusive wife at night. Avika Gor, whose ‘Uyyala Jampala’ is the most popular film in Telugu, does not thrive on a high-profile ceremony that reduces her to a helpless person who has to cry. Vishnu as a good weather and ‘bamardi’ is a revelation. The motion pictures on Abhiraj Nair could have enhanced the visual appearance.
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