Then, in January 2021, something happened. A Paris artist named Yacine Aït Kaci he was commissioned to build a museum to celebrate ten years ELYX Price, a digital ambassador, without gender, a global opposition created by the United Nations. The artist, who sometimes travels with YAK, decided to host a museum event in the Spatial program.
A few months later, photographer Jarlan Perez and modern-day filmmaker and sculptor Federico Clapis — whose sculptures were painted. babies with iPhones in the uterus and VR-headset-wear mothers holding invisible children and an amazing interpretation of the modern world – re-entered the Spatial. He took the space that Spatial had built to enable large corporations to transcend PowerPoints or play 3D audio and create their own visual glasses instead. Then he started selling NFTs.
The whole idea is absolutely amazing: Displaying digital art, a beautiful or amazing combination of those with zero, in a clear street, and a list of what’s zero, and then selling them as a blockchain-free blockchain. a buyer who is probably physically to have it skill, but can, at least for some audiences, prove that he has his own unique copy. It does not matter: Soon, 90 percent of Spatial users were NFT professionals who used the program interface as a showcase.
The Spatial team took immediate action, creating what they called a single click for artists to integrate Ethereum wallets, pulling their NFTs, and choosing one of the many event venues. The program became a real Airbnb for artists selling NFTs.
Not all of Spatial were in the circle; Two of the company executives had already caused a stir, but many more needed to be satisfied. Also, Spatial did not share exactly the number of current users or calculate the number of artefacts sold, although Loewenstein claims there are some successful stories. Artist Tyrone Webb, for example, managed to sell his first 12 NFTs after he started showing up in Spatial.
But other think tanks are also using Spatial to sell NFTs. In September, the NBA Utah Jazz sold 30 NFT collections and offered, as part of the purchase, the opportunity to meet the team in the locker room. The company has hired modern-day artist Krista Kim and AR / VR maker Michael Potts to build a locker room, which he built using Spatial.
“This was an opportunity for Utah Jazz to create a physical and digital marketplace,” says Kim, who also created one of the first digital homes sold as NFT, called. House of Mars. “This is where the future of these teams goes. Astrologers do not have to leave their homes, and everyone wins. “
The multi-billion dollar business franchisees using your software may not be bad for Spatial – and it may not be the same as selling your software to Fortune 500 companies. and where it finds art that sells, Loewenstein said.
But there are enough uncertainties to settle in the NFT technology market right now to consider whether the Spatial pivot could be a bad one. Some artists have said that their fellow makers are sold at an imaginary price it is the promise of Glory above all other things. Some have expressed concern about the actual destruction of the environment crypto-fueled technology can be. At the AWE conference, when Loewenstein gave his talk, the makers of the metaverse were unhappy.