R Kelly’s assertion: will this be a #MeToo moment for music?

“It’s too late,” said Robert Kelly, wearing glasses in the house, smoke rising from a cigarette in his left hand, after he and his friends had burned it. “He would have done this 30 years ago.”

It was May 2018 and the R&B artist, R Kelly, had been on the run since the 1990s. BuzzFeed states that he had treated women as “religious”, asking them to ask him for permission to eat or use the bathroom.

Kelly is exhausted This, he scolded the beer in a plastic cup as he boasted: “Music has already entered the world.”

Three years later, a 54-year-old could spend the rest of his life in prison. In recent weeks 45 witnesses in a Brooklyn court have also reported the physical abuse of Kelly’s physical, mental and sexual abuse. Now, one of the best photographers in recent history is experiencing its aftermath. Monday’s ruling found Kelly guilty of all child sexual offenses, including child abuse.

No wonder Kelly already feels invincible. He endured many years of accusations and accusations, each delayed or settled, while the music directors and co-workers looked the other way as his star rose. Kelly’s extreme beatings such as “I Believe I Can Fly” were a fitting end to elementary school education, even though black women accused her of harassing them as teenagers.

“Nothing is more influential in the music industry,” says Jim DeRogatis, a Chicago journalist and journalist who has spoken out about R Kelly’s wrongdoing for more than 20 years. ” “hop boy” or rock n roll star. “

R Kelly performed at the 2011 pre-Grammy gala © Mark J Terrill / AP

Kelly’s arrival, which is known to be the most well-known crime in modern history, has highlighted the challenges to corporate practices that have earned a lot of money from the “bad guys” of.

The artist sold more than 40m albums throughout his career. Although listening slowed down this year due to public embarrassment, the former RCA made about $ 2m in royalties, Sign comparison in August.

In 2017 the #MeToo move has screened movies and television shows as reports have shown harassment of Harvey Weinstein and others, toppling many political business titles. But with the exception of a few, the music business has never had the same recording time that has been heard elsewhere in Hollywood or America.

Many well-known singers, including David Bowie, Bob Dylan and Michael Jackson, have been accused of sexual misconduct for years. Noisy stories full of rock stars that entice star-studded boys.

However, according to Kelly, the music is now owned by Weinstein – the only one whose actions were so common and evil that they could be ignored. But have companies changed now?

The songs stopped

In other words, Kelly has already been transformed over the last few years. It has been removed from the radio and downloaded by Sony and Universal brands. Kelly’s monthly Spotify audience dropped from 8.3m from 2018 to 4.9m this week, according to Chartmetric data. But the numbers also make him similar to Stevie Nicks and The xx.

Faced with financial hardship, Kelly recently asked businesses to buy her share of songwriting, according to who the singer approached. Yet a book with big eagles is now selling fire; even Merck Mercuriadis, the great who did found hundreds of books at a reasonable price in recent years, it is said to be “not interested”.

Barry Massarsky, who appreciates the richness of music, said it would “not affect” the work of editing Kelly’s book. “Consumers would be seriously lacking. “We have never had a known risk before,” he said. “It’s all predicting the future of money, and how can you do this here?”

However, when the company rejects him now, music directors have been aware of Kelly’s case for years.

At the top of the list is Clive Calder, who made billions by signing Nsync and Britney Spears teens, along with R Kelly, building his own Jive Records label in the 1990 pop pophouse. Calder told the Washington Post in 2018 that he “seemed to have missed something”, but added that he was “not a psychologist”.

After Kelly was arrested for juvenile delinquency in 2003, Barry Weiss, Jive’s chief of staff from 1991 to 2011, told The New York Times: “In the worst case scenario, he has to be honest with his audience. R Kelly will be R Kelly.”

Weiss told FT that when he said this, “he was unaware of any wrongdoing”.

Weiss said contracts often bargain artists from throwing out the artist unless they are found guilty. “Once you sign them, you will be in agreement,” he said. “[The artist] it is not a servant. It doesn’t work. It is a loan service. ”

Even so far, there is no indication that Weiss or Calder’s career has been affected by Kelly’s collaboration. Last year, the Rolling Stone industry known Weiss a bright list of “corporate leaders”, in which Calder retired from the Cayman Islands, after selling his kingdom for $ 2.7bn.

Calder was not immediately available for comment.

“Officials are paralyzed. They are hiding their heads in the sand, “said Drew Dixon, a former A&R executive who has accused music artist Russell Simmons of raping him.

Drew Dixon
Drew Dixon, a former A&R boss who has accused singer Russell Simmons of raping him, which he refuses © Getty / Equality Now

Dixon, in his 20s, found a dream job: pursuing a career in Def Jam art when he worked with artists such as Notorious BIG. He then resigns altogether. Simmons disputed Dixon’s claims and said all of his relationships were mutually exclusive.

Kelly has been in prison for at least 10 years. However, her music will remain intact, as artists and advertising companies point fingers at those who should be responsible for deciding whether to take her music abroad.

Each RCA of Sony and Universal Music owns Kelly’s patents. No company is promoting its work and they have all lost Kelly in their list. But she keeps her music online.

The couple’s chief executive, who spoke on condition of anonymity, defended the decision to keep Kelly’s music out of the world, claiming that removing it would punish those who composed the music and still make money. Another facilitator said that advertising activities should call for content.

Spotify in 2018 briefly removed Kelly’s music from its powerful list, but changed the rule a few weeks later, saying at the time: “We don’t want to play judges and courts.”

Sony, Universal Music and Amazon declined to comment, while Spotify and YouTube did not respond to a request for comment.

Dixon says he is disappointed with the reduction in senior musicians and musicians this week. “R Kelly is a sacrificial lamb,” Dixon said. “They choose: we’ll cut the legs and keep walking.”

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